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Reference Technical Video

Dean Collins on Digital Imaging

Dean Collins was early into adopting the digital revolution.  I’m not certain that he gave up his 8×10 view camera and leaf shutters, but his predictions about the future of digital were pretty much spot on.

In this video he again preaches about the need to control specular, diffuse and shadow regions of the photograph.  He recognized that even in digital photography, capturing the best possible image would make post processing more enjoyable and effective.

He predicted that there would be a huge market in digital manipulation and photo composites, something that he was working on even then, in 1998.  Definitely way ahead of his time.

I look back on these Dean Collins videos and find that they are still applicable to the photographs I make today.  I spend a good deal of time attempting to control contrast, specular highlights and shadow detail.  I employ a number of techniques that I initially learned from his videos, such as strobes/flashes, scrims and reflectors.  Dean’s videos explain the use and purpose of these techniques in simple, easy to understand terms.

If you are just trying to get into the glamor, advertising or product photography industries you can do yourself a great service by getting a copy of The Best of Dean Collins on Lighting videos.  Dean demonstrates many light modifiers, natural, studio and location lighting.  He also demonstrates some novel techniques such as moving a background rather than photographing something in motion and firing studio strobes multiple times during an extended exposure to get sufficient light at a small aperture.

For another take on “the Dean of Photography’s” ability to teach lighting like no one else, take a look at the Strobist’s review of the videos.

Categories
Blog

Judging the End-of-Year Competiton at GCC

I’ve been invited back to Gaithersburg Camera Club to judge their End-of-Year competition this year.  This will be my first EOY competition and I am really looking forward to it.  I will get more time to spend with the images, and I will not be required to critique each of the images in real time, the most stressful part of a monthly competition in my opinion.

This time I get to make comments on only the top three images in each category, which will be written down and read at the EOY banquet.  I believe this will be far less stressful for me and more beneficial to the members at the banquet.  Mainly because I will have time to think and formulate a more cohesive train of thought.  I will also be able to concentrate on why the image was chosen over the others, rather than justifying removing the image from competition as so often happens when judging monthly competitions.

Categories
Blog Reference Technical Techniques Video

The Movement of Light

Ramesh Raskar presented a TED Talk about femto photography, or photography at a trillion frames per second.  Inspired by Harold Edgerton, the MIT professor who, in 1964, stopped a bullet as it passed through an apple using stop-motion photography, Ramesh decided to build a camera that could photograph light itself.  Ramesh’s camera is revolutionary in the same way that Edgerton’s photograph was, he is able to photograph a world that we have never seen before.

I don’t expect to able to go out and buy one of Ramesh’s cameras any time soon, but the possibilities are truly extraordinary.

Ramesh Raskar:  Imaging at a Trillion Frames per Second

 

Categories
Exhibit News

F2 / 2° Salón Internacional de Fotografía

Next May 14th is the deadline for the second edition of our International Salon and we would like you to participate!

The Salon got sponsorship from FIAP 2013/110, PSA recognition (PID and PTD division) and the local sponsorship from FAF 2013/02; and this year, we added Royal Photographic Society (2013/16), UPI (L130005-M1G) and ISF (17/2013).

We have three sections: General Color, General Monochrome and Travel.

There are 185 awards this year! We added medals and ribbons from the Royal Photographic Society!

All authors who participe will received a 50-page printed catalogue with the winning photos and a digital copy with all accepted ones. Catalog that FIAP scored 4 stars.
A digital version of the last year printed edition can be found here.

You can check the entry rules of the Salon and upload the photos through our online system.

We wait your photos!

Best regards,

Emiliano Fernandez SFAF
Chairman

…………………………………………………………………………………………………………
F2 Salon Internacional de Fotografia
f2sociedadfotografica.com

Categories
Exhibit News

The EPSON International Pano Awards 2013

We would like to announce the call for entries for The EPSON International Pano Awards 2013, dedicated to the art of panoramic photography.

The Press Release for your information and for announcement to your members can be downloaded here.

Earlybird entries close 14th July, 2013.

This is the fourth year of the awards, and we are pleased to announce the addition of a number of new awards, and more than US$35,000 in cash and prizes.

We are also excited to welcome Peter Lik to the judging panel!

See the The EPSON International Pano Awards website for more details. Images are available for publication on request.

Kind regards,

David Evans
Curator

The International Pano Awards
PO Box 459
Fullarton SA 5063
Australia
thepanoawards.com
ABN: 48 314 982 488

Categories
Lighting Portrait Reference Strobist Techniques Video

Lighting in Layers

David Hobby produced a series of DVDs called Lighting in Layers that explains how to use small battery powered speed lights to produce amazing lighting effects.  The videos show subtle lighting and dramatic lighting, with and without modifiers.  There is lots of discussion on how shutter speed and aperture can be used to mix ambient light and speedlites.

The videos are well worth the cost if you are interested in learning the art of off-camera flash.

Categories
Blog

Critiquing Images

My camera club, NVPS, has asked me to do an “anonymous critique” of some member images at our upcoming meeting on Tuesday, 9 April.  I prefer critiques to judging for a number of reasons, not the least of which is that I am not relied upon to make a qualitative judgement about whether this image is better than that image, something that I feel is largely in the eyes of the beholder and quite subjective.  Not that I don’t have an opinion, just that I know that my opinion is just that, an opinion.

Nonetheless, I find that judging and critiquing others’ work has helped me to be a far more critical self-editor.  I am better able to ignore my delight in the work that I put into creating an image and concentrate more on whether others may get the same feeling (or not).  Not that I do not still take banal and unimaginative photographs, I am just less likely to be showing them off than in the past.

Understanding the difference between a good image and a hard-earned image is one of the skills necessary for developing your photography beyond the ordinary in my opinion.

Categories
Blog Portrait Reference Video Websites

Making it All Look Easy

I’m frequently amazed by the way some photographers can make such a difficult shot appear to be simple. When I first saw this behind the scenes video of Joe McNally getting the environmental portrait of a guy changing a light bulb on the top of the TV antenna at the top of the Empire State Building, I thought it was such a simple idea.  It all looks easy but took three attempts on different days and a really novel idea from Joe on how to get the camera above the light.  Plus he is WAY up on top of one of the tallest structures in the world.  The picture was for a story that Joe was working on for National Geographic called the Power of Light.

Categories
Blog

Judging at North Bethesda Camera Club

Remember the time that you entered what you thought was a “winning image” into a camera club competition, where you have to sit through 100 images from your fellow photographers?  Do you recall the anticipation of waiting to hear the judge’s comments?  Do you remember how crushed you felt as you were told the colors were “flat” and the image was eliminated from the competition?

That will not be me when I judge at North Bethesda Camera Club on April, 3. I strive to have positive comments for every image that I critique and I try very hard not to make statements that are demeaning.  After all, that remark will stick with you long after the award fades away. And I really don’t want that to be the competitors’ take away from my judging.

As far as the choice of images for awards, that would be my personal opinion the night of the competition.  On another night I would certainly make some other choices.  In an exhibit or for my personal collection I would absolutely make different choices.  That is the nature of these competitions, where only about 1 minute per image is allocated for viewing, critiquing and choosing the winners.  Complex images that require time to digest simply do not make the cut.

Categories
Blog Reference Techniques Video

Creative Ideas

Are you inspired right now, or are you craving that intravenous injection of inspiration that drives you to the next level?

A few weeks ago as I was perusing some blogs, I stumbled across an article about Berndnaut Smilde and knew I was viewing something special.  Berndnaut took a simple physical phenomena and envisioned a surrealistic environment where the inside was the outside.  The very idea of creating a cloud inside a building was simply fantastic.  But to use that technique to create other worldly photographs was the crazy kind of idea that demonstrates Berndnaut’s genius.

Nimbus-Minerva-webgroot

Feeling inspired by the images that I was seeing, I found a video where he discusses making the clouds.  The technique is simple, but requires maintaining some pretty specific cooling and moisture requirements that are not realistic to create in just any room of your house.

So what is it that inspires you?